Italy-based homeware specialist, All’Origine travels throughout Europe in search of mid-century artefacts, which it then carefully restores in a way that is polished yet authentic, ready to be given a new-found purpose.
The company groups its finding into three aptly named categories: Consistent, Differing and Unique. The pieces we’ve selected fall under Differing, meaning they were produced in small runs, and therefore only a few remain in existence.
Made from glazed ceramic, each piece in our offering was originally crafted in East Germany and Hungary between the 1950s-1970s.
Featuring vivid hues, striped and doodle motifs, and a bubbled texture named Fat Lava, the collection presents an array of charming accompaniments to your home or office space, each with a story to tell.
From the Journal
Autumn Winter '25 by Couverture
Couverture presents its Autumn/Winter 2025 collection, a curated mix of womenswear and homeware that combines comfort, texture, and considered design. New brands Wild Animals and Séfr join long-standing favourites Rachel Comey, Renata Brenha, Cawley, and Soeur, bringing soft knits, sculptural tailoring, and layered silhouettes that define the season.
Friends of Couverture: Clare O'Connell
We are joined by Clare O’Connell, a content creator whose work we’ve long followed and admired, to curate a corner of Couverture. On her Instagram, she documents the ongoing renovation of her dream family home, sharing the process of shaping a space that balances character and functionality. Alongside this, she regularly showcases design ideas from across the globe, from architecture to interiors, offering a thoughtful take on how we interact with the spaces around us.
HAY x Emma Kohlmann
HAY’s latest collaboration with artist Emma Kohlmann brings her painterly touch to the table. For La Pittura, Kohlmann translates her loose, watercolour-like motifs onto stoneware plates, bowls, cups, trivets, a jug and a vase, each piece holding the tactility of clay and the immediacy of a painting. Made to be used and lived with, yet striking enough to display, they blur the line between functional object and art.
